The Chupa Chups logo as designed by Salvador Dalí in 1969.
Did Alan Aldridge’s 1969 illustration for The Beatles’ “Day Tripper” inspire the Rolling Stones’ logo (1971)?
By the way, I came across this still of Stan Lee without his moustache and glasses and hairpiece and found myself staring at it for about a minute or two.
Toei animated feature, MAGIC BOY (Shōnen Sarutobi Sasuke) (1960).
Concept art for Hanna-Barbera’s WACKY RACES (1968) (and a sheet with color models).
The animated title sequence to A SHOT IN THE DARK (1964), designed by DePatie–Freleng. (The film, featuring Peter Sellers as Clouseau, was the second film in the Pink Panther series.)
Peter Sellers—such a spookily brilliant actor: HOFFMAN, THE BLOCKHOUSE, BEING THERE, Kubrick’s stuff.
A gallery of mid-century blues album covers (and a little bit of jazz). Art by Abner Graboff, David Stone Martin, Milton Glaser, Burt Goldblatt, and others.
—Me: “Uh, pink and yellow. 1960s. Graphic design. It’s for my blog.”
—Magic computer: “Coming up!”
Olivetti ads by Italian graphic designer, Giovanni Pintori (1912-1999). The first one is from 1949, the others are late 1950s/early 1960s.
The new Brigitte Bardot gallery.
First up, BB in Rome in 1967. Photo by Jean-Claude Sauer.
BB photographed by Edward Quinn on the set of Et Dieu… créa la femme (AND GOD CREATED WOMAN) in 1956. The film was shot on location in Saint-Tropez and at the Studios de la Victorine in Nice, which is where this photo was taken.
A previously unpublished photo of BB’s session with Mark Shaw in 1956 (I’ve featured that session HERE).
BB advertizing the Graziella in 1966, a compact and foldable Italian bicycle launched two years before. Like the previous image, this one is a little hazy, but it hasn’t been published before.
Brigitte Bardot photographed by Bill Ray during the making of SHALAKO (1968) in Spain. I often wonder what drove her to do westerns like SHALAKO and FRENCHIE KING. Not that SHALAKO is a bad movie per se, but it’s so run-of-the-mill, so uninteresting. BB kind of squandered her potential from the mid-60s on I feel—or not squandered, but rather watched it drift, bored with cinema as she had become.
Photographed by Terry O’Neill in 1968.
A scene from Et Dieu… créa la femme (1956), BB’s breakthrough film.
A young Brigitte Bardot sculpting a sand profile at the Venice Film Festival in 1953.
Working on her make-up on the set of Une Parisienne (1957). In nearly every film she wore her own clothes and did her own make-up.
At Coco Beach in Nice in 1955. (The seafood restaurant was destroyed by a fire in 2017.)
And BB photographed by Jerome Brierre in Búzios, Brazil, in 1964.
As you might know, I ran a BB Instagram account for a few months. But I closed it down as an act of protest when a photo of a topless BB was censored, when elsewhere on Instagram acts of cruelty of violence are allowed. I can’t stay there in good conscience anymore. Other factors played a role in my decision to quit, but that, the hypocritical Victorian censorship, was the big one. And anyway I don’t like branching out I’ve discovered. I consider Tumblr my Internet home of sorts, and it’s fine like that, I don’t really feel the need to be everywhere with my crap.