Production art and some stills from the 1957 Disney production, Mars and Beyond, which explored the possibility of life on other planets.
It was directed by Ward Kimball and narrated by Paul Frees. It’s a colorful, creative piece of work; look it up on YouTube if you have the time.
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#disney #disneyland #mars #production design #concept art #1950s #space #production art #production drawings #space travelProduction art and some stills from the 1957 Disney production, Mars and Beyond, which explored the possibility of life on other planets.
It was directed by Ward Kimball and narrated by Paul Frees. It’s a colorful, creative piece of work; look it up on YouTube if you have the time.
Some very imaginative Marc Davis concept art for Disneyland.
Putting the “art” in “concept art”: some beautifully rich production work for Disney’s Fantasia (1940).
Story drawing, concept art and model sheets for the Disney feature, Pete’s Dragon (1977).
It must have some of the best comic villains of all Disney films. They were genuinely scary and unsympathetic, but also provided a bit of cartoony comic relief. They basically were the bridge between the live action and the animation.
The Gogans by the way remind me of The Goonies’ Fratellis (what a sentence to write).
Concept art for four old favorites: The Predator (1987), V.I.N.CENT (Disney’s The Black Hole, 1979), Stay Puft Marshmallow Man (Ghostbusters, 1984), and Johnny 5 (is alive) (Short Circuit, 1986). The last one is by famed designer Syd Mead.
Early Disneyland concept art by unsung Disney legend, Bruce Bushman. (Not an official Legend according to the Walt Disney Company though. Mystifying.)
Early Disneyland concept art by unsung Disney legend, Bruce Bushman. (Not an official Legend according to the Walt Disney Company though. Mystifying.)
The wizard duel between Mim and Merlin from Disney’s The Sword in the Stone (1963), storyboarded by Bill Peet–the great Bill Peet, so essential to Disney’s early years.
A few fonts and things from WILLY WONKA AND THE CHOCOLATE FACTORY (1971). I always thought the candy in the film looked so unappetizing. Like jars of painted kidney stones. The chocolate river in the factory seemed filled with baby diarrhea or something, or like the murky stream near a refinery. But anyway—the film is a classic of course, and Gene Wilder is supreme in it: a cordial demon.
